Ada Betsabé (Santo Domingo, 29 January 1991) is a Dominican rapper, songwriter and producer who works in Spanish and English at once. She has released everything through her own label since 2015 and describes herself as a minister as readily as an artist.

Early years and formation

She left Santo Domingo at four, when her parents emigrated, and grew up between New York City and Massachusetts. She has worked out of Worcester since. She was thirteen when a cousin dared her to write a rap; it became her way of getting things out, and the writing has stayed at the centre of the work.

Nuevopact Records and first recordings

In 2015, at twenty-four, she founded her own label, Nuevopact Records, and opened it with Freedom. Everything she has released since has come out through it.

Mi Escudo reached furthest of the early records and is now a decade old; Santo, Alive, Vengan and the English-language Sparrow belong to the same stretch. The Personal EP followed in 2018 — Emotional, Corazón, Tu Nombre, God Body, and Suficiente with Sueezy. That same year she released Trapstorno (Versión Femenina), answering Redimi2’s record from a woman’s side, and appeared on Madiel Lara’s Uno Cinco with Arias FTW and Niko Eme.

Expansion of genres

Masterpiece arrived in 2020, carrying La Vía, 4:13 and Apunta with Lizzy Parra. Alarma came in 2022 and moved her into drill: she produced it herself with Jalapeño Beats, wrote it and performed it, and the video was shot in San Francisco under the direction of Dennis Guillen. ¿Ahora Qué? and Solita sit alongside it in trap.

El Fin Se Acerca and recent work

Trono, with CH Gedeones, came around 2023. She cut Pecado with Natan El Profeta, Intervención with Tbabz, No Se Va with La Noe Aposento Alto, and Súbele with Rambo Cristiano in September 2025, and she appears on Alguien Como Tú alongside Lizzy Parra and Angel Brown. The EP El Fin Se Acerca arrived in September 2025, opening with Inmortal. A new run of songs followed in 2026.

Style: Spanglish

She raps in Spanish and in English, often inside the same song, and the records are labelled accordingly: Sin Límites went out as a Spanglish Remix, Lottery as Spanglish Trap, Cuenta – Blessings as a Spanglish Cover. English tracks like Sparrow, Alive and The Cure sit in the same catalogue as Mi Escudo, Santo and De Rodillas, and neither side is a translation of the other. Asked to name her language, she writes Spanglish.

Ministry and media

She posts about discipleship as often as about releases — making disciples rather than fans, in her own phrase. Alongside the music she works with the outlet Real Vida TV.